Are these the best operas of all time? Uncover a world of classical music news, reviews and expert opinions with classical-music.com ...

Tenor Jonas Kaufmann has released a new album, MAGISCHE TÖNE (Magical Sounds), featuring operetta and opera selections from ...

Watch and listen to five recent highlights, including performances by Davóne Tines and Lise Davidsen, and a new album by Ethan Iverson. By Joshua BaroneCorinna da Fonseca-WollheimSeth Colter ...

With her emotion-evoking operatic range and soprano heights, Dominican opera singer Zuly Inirio is challenging whose voice is embodied and heard throughout the genre. She first saw an opera — “La ...

Performances in N.Y.C. Advertisement Supported by Fall Preview Osvaldo Golijov’s Lorca-inspired opera comes to New York, and the pianist Igor Levit plays with the Cleveland Orchestra, among other ...

Exclusive to the app, Listening Guide is a groundbreaking new feature that takes users inside a notable work of music as they listen, highlighting details and explaining a work in real time as it ...

Started in 2022, The Architects of Music allows audiences to examine how the music is built and why it continues to resonate ...

Close your eyes for a moment and think about the most memorable movie scenes you've ever watched. Chances are, you're not just seeing the visuals. You're hearing the music. That sweeping orchestral ...

Most exciting formation of the decade: the 2003 re-birth of the Lucerne Festival Orchestra under Claudio Abbado, who made it a crack band of players he knows and loves from veteran cellist Natalia ...

Gustavo Dudamel launches the fall season with a world premiere by the Hawaiian composer Leilehua Lanzilotti and Charles Ives’s panorama of Americana, the Symphony No. 2. Yunchan Lim joins in for ...

“Tomorrow, and tomorrow, and tomorrow.” The opening words of Macbeth’s famous soliloquy come to life this weekend as three performances of a combined opera, ballet and classical music production based ...

“The Classical Style: An Opera (of Sorts)” subverts expectations of the genre by making fun of classical composers typically featured in these concerts. The show, written by librettist Jeremy Denk ...